Posts Tagged ‘fashion’

Ruben Toledo_Nordstrom_Ad_Windows_4

Back in 2009 (the early early early days of my blog), I blogged about one of my favorite illustrators, Ruben Toledo. I’ve been enamored with Toledo’s work for years, so I thought it was about time I devoted a few posts to this brilliant artist. I was first exposed to Toledo’s work from the Nordstrom ads he illustrated for several years. I used to rip them out of magazines and collect them. There’s something about Toledo’s illustrative style that’s so playful and beautiful, and so uniquely his own. I can spot his fashion illustrations anywhere! I like this series of ads because they combine illustration and spaces, sort of like windows and store design, which I do now. I never saw this series in print but I’m so happy to have found it online and share it with you. In the next few days I’m going to share more of his work and take a look into the studio he shares with his wife, fashion designer Isabel Toledo.

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W_December 2013_Art Issue_George_Clooney_Cover

I’m literally obsessed, OBSESSED with the W Magazine‘s new December 2013 cover for “The Art Issue.” I can’t get enough of it. What a playful use of color and pattern, and doesn’t George Clooney look great? So unexpected. Clooney is wearing a Giorgio Armani suit, shirt, and shoes, customized by Yayoi Kusama. According to W’s site, In the late ’60s, Kusama’s celebrity rivaled that of Andy Warhol. A central figure on the New York avant-garde scene, Kusama was famous for her delicately patterned abstract canvases, soft furniture with phalluses, and happenings in which she painted naked participants with her now signature polka dots. She also had her own clothing shop, where she sold her racy designs. But when the emotional issues that had plagued her since childhood proved overwhelming, she quit New York and entered a Tokyo psychiatric hospital, where she has resided ever since. You may also recognize Kusama’s work from the Louis Vuitton collaborations a year or two ago. The December 2013 issue of W magazine is on newsstands now.

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Yayoi Kusama x Louis Vuitton (above & below).



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4 by Leo Reynolds. See more on Flickr here

This fall, my humble little design blog turned 4! This August also marks my 4-year anniversary of moving to New York City. How time flies. I started this blog while attending Pratt Institute and earning my Design MFA. In a Motion Design studio we were to document process and inspiration for the semester and speak about design. Now, almost 200 posts and 61,000 views later my blog is still chugging along. Today there’s a tighter focus design, be it Scandinavian design, textiles, prints and patterns, photography, advertising, fashion or my rants about life. While this blog is no “Design Sponge,” or the myriad of other blogs out there, it servers as an opportunity for me to share what I’m into, curate content and write about design. This has been particularly useful for getting jobs and getting my name out there, something I never expected. So I just wanted to say thanks for browsing and following me these 4 years. So here’s to the next 4! 





See more photos by Leo on his Flickr page. Get into it! 


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Closer is the second book by Scott Schuman of the Sartorialist, the blog that inspired a million clones and turned street style blogging into the industry it is today. I bought his first book, The Sartorialist, when I moved to New York and totally feel in love. So I was trilled to learn Schuman was releasing a sequel. What I enjoy most about Closer is the diversity of images and the way Schuman plays with contrast in the spreads. One spread might show two people dressed head-to-toe in white, but each outfit is still individually unique. Another spread might show two people wearing similar colors, patterns, or type of dress, but each person wears it their own way. These patterns are so thoughtfully arranged and paced which adds to the experience of reading it. There’s also nice contrast between ages in Closer. It’s touching to see pictures of children beside adults and realize that at any age, one can be playful with style.

I’ve posted a sampling of my favorites but I highly recommend that you pick up the book for yourself! All Schuman’s books should be experienced in person as they each give an intimate look into how we dress and express ourselves through clothes. So get into it!


This is a great project – looooove the images.






Notice the patterns?


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Kenzo Spring:Summer 2013 Campaign - Single

While looking through the March fashion magazines, Kenzo’s Spring 2013 ads caught my eye with their bold colors, prints and layout. Compared to other advertising in the March issues, these really stand out. Also I can’t get enough of the bold patterns! Now I can’t truly see myself wearing something like this, but I’m very into the pattern mixing that’s trending right now. I love how playful and graphic these combiations are. From a textile/pattern design standpoint, fashion is a great place to be inspired. And Kenzo’s Spring 2013 collection is a great place to look for new ideas.

Kenzo Spring:Summer 2013 Campaign1 Kenzo Spring:Summer 2013 Campaign2

Kenzo Spring/Summer 2013 Ads – great right?

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Marimekko Spring 2013 – full catalog here.

It’s (almost) that time of year again, SPRING! To celebrate, I’m sharing new images from Marimekko‘s Spring 2013 campaign, “Colour for a reason.”  Aren’t these colors and textiles like a breath of fresh air?? Be sure to drop by one of their stores, or check out their new collections online here.






Spring 2013 at Marimekko – Colour for a reason. Get into it!


Maija Isola pattern from 1961, today in 2013. How great is that?

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diana_vreeland_the eye has to travel_dvd
Yesterday I blogged about Grace Coddington, Creative Director at Vogue and her uninspiring memoir Grace. After ranting about my disappointment with her memoir, I wanted to show you how it’s done. Everyone knows about Anna Wintour, but before Anna there was Diana! Diana Vreeland is best known for holding the top position at American Vogue and her earlier years at Harper’s Bazaar. As she famously said, “I wasn’t a fashion editor, I was THE ONE AND ONLY fashion editor.” After the magazines, Vreeland staged another career comeback by transforming the Met’s Costume Institute from a sleepy storage facility into a vibrant and wildly popular wing of the museum. Under Vreeland’s leadership the Met housed 15 blockbuster shows, much like the hugely popular shows at the Costume Institute today.

diana vreeland office

In the fall I saw her documentary The Eye Has to Travel and I was hooked on her larger than life personality. She really was a treasure, though I would have been terrified to work for her. I didn’t know much about her before seeing the movie, but now I can’t get enough. I’m currently reading the book The Eye Has to Travel by Lisa Immordino Vreeland, but I’d DIE to find more of her famous office memos the documentary talks about. Visionaire writes,

One day a mysterious package arrived at the Visionaire offices. It was a large box containing more than four-hundred original memos from Diana Vreeland to her staff at Vogue. The package had been sent to us by a contributor who preferred to remain anonymous but who had been on the receiving end of some of this legendary inter-office correspondence. In some ways, the experience was like stumbling upon fashion’s Holy Grail. We had heard stories about these memos but were stunned to find out that they actually existed. Dating from 1966 to 1972, the memos, which were dictated to Vreeland’s secretary from the sanctuary of her bathroom each morning, covered topics ranging from the wacky (the use of freckles or the utter importance of dog collars, for example) to the divine (the genius of Halston). But more importantly, the Vreeland memos provide a rare glimpse inside the mind of one of the most influential women in fashion history. (Visionaire 37)

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DIANA Freelance memo_visionaire 37_1

“I am extremely disappointed to see that we have used practically no pearls at all in the past few issues. In fact, many necklines could have been helped by pearls worn inside the dress that show inside the cutaway sides and back of most ordinary dresses on top…

I speak of this very often — and as soon as I stop speaking the pearls disappear.

Nothing gives the luxury of pearls. Please keep this in mind.”

-Diana Vreeland in a December 9, 1966 memo

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It looked marvelous.


How amazing would it be to read a larger collection of these memos?? Just like Vreeland said herself, I’d DIE to get my hands on a copy of Visionaire 37 that published 150 of Vreeland’s office memos. I’m sure one day they’ll surface in a larger collection. So until that is published, check out the a-mazing documentary and the book! You won’t regret it!

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