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Posts Tagged ‘debbie millman’

debbie_millman_imagination_500

“Every once in a while — often when we least expect it — we encounter someone more courageous, someone who choose to strive for that which (to us) seemed unrealistically unattainable, even elusive. And we marvel. We swoon. We gape. Often , we are in awe. I think we look at these people as lucky, when in fact, luck has nothing to do with it. It is really about the strength of their imagination; it is about how they constructed the possibilities for their Life. In short, unlike me, they didn’t determine what was impossible before it was even possible.”

from Fail Safe by Debbie Millman

Love her.

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Hey guys – this is my last thesis-related post (I promise) … and why the last?? This week I turn in everything signed-seal-delivered to Pratt. It’s been quite a drawn-out process but I guess that’s to be expected trying to finish and thesis and working full-time. But in the end, I’m so happy with how everything turned out. I spent the last few weeks designing my thesis book and I’m thrilled with how it looks. I’m going to post a few of the spreads in this post, but you can flip through the entire book here. I’ve also spent a bunch of time tweaking my website and trying to polish it up, check out the progress at dcwdesign.com

So now that my Pratt MFA thesis is done – it’s time to plan for the next 5 years. I was talking a few weeks ago about how everything I’ve done post-Appalachian was to get me to this point, living/working in NYC with my masters. So what’s next? I’ve had an amazing job these last few months so I’m off to a great start. I’d also like to start creating my own work again and possibly send another round of letters out for The Joy Project. So lots on the horizon, lots of things simmering in the kitchen – stay tuned to what comes next!

Joy, Delight and Growth: Harnessing the Power of Joy in Design
by Daniel Wiggins

In order to strive for a remarkable life, you have to decide that you want one. -Debbie Millman

Maira Kalman spread about And the Pursuit of Happiness.

Spread with my poster for the United Nations Youth Pre-Conference,
Summer 2010.

The Joy Project spread.

10 Things I Did in 2010 (need to work on the 2011 version of this!)

Take your pleasure seriously -Charles & Ray Eames.

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” In order to strive for a remarkable life, you have to decide that you want one.
Because if you expect less, less is all you’re going to get.”
-Debbie Millman, Creative Mornings, February 2011. 

It should come as no surprise that I’m blogging about one of my design heroes Debbie Millman once again. Just this past week I was lucky enough to attend the launch party for her latest book, Brand Thinking and Other Noble Pursuits here in NYC. But that is not what inspired this post. For months I’ve had this idea marinating in my head about an aspirational post in response to graduating (or almost) with my Masters degree from Pratt, starting my design career in NYC and life in general. While the past few months haven’t panned out the way I envisioned in May, I’m beginning to see the pieces of my life falling into place. This summer I spent an amazing 7 weeks in Copenhagen learning about textile design in a place I’d never been, doing something I’d never done. Studying abroad seemed like something I’d never be able to do growing up, but it happened. I returned home and started a job as a designer for Starwood Hotels. In the coming weeks I’ll finish this all-consuming thesis that’s been on my mind for the last year. In many ways I’m exactly where I should be and I wanted to share some wisdom I learned along the way, especially for those in the process of getting to where you envision yourself to be. (I’ve also been watching a lot of Oprah lately, and her gospel is really speaking to me ..)

At the end of the spring I had this great idea of creating a list of tips for surviving your MFA thesis. Little did I know I myself would be in need of some of these same tips. As a current thesis student today, I don’t feel it’s the right time to create that list. BUT, I wanted to share some words of encouragement about life and working hard, because I feel that is something I so desperately lacked in my thesis journey. Weeks ago I started watching the show 1 Girl 5 Gays as I’d go to bed each night. Pretty mindless entertainment – mostly funny conversations about love and sex. One of the questions really struck me: What was your lowest point in the last year? Most of the people on the show talked about a break up, the loss of a friendship or family member, etc. All I could think about was school. I’ve spoken in great length about my struggles the last year at school and I’m still living with those struggles today as I’ve yet to finish. I think it’s important in life to acknowledge failure or set backs. It’s something people don’t really ever talk about, but I think it’s so important. Because it’s what we do in response to failure and set backs that define us. For the last year I’ve been spending my days and nights in an MFA program where I felt I never fit in. I always felt like I was battling for the legitimately of my ideas and my approach to design. That semester I received the lowest grades of my entire college career. A semester later, the day after graduation, I learned that I wouldn’t be in fact graduating as my thesis committee decided there was more work to be done. I was crushed. It was hands down my lowest point. I thought I could power through all the negative energy I was getting in school and win in the end. I didn’t.

The attainment of my MFA from Pratt is one of the hardest things I’ve done to this point. Never has a process created more fear, stress, and self-doubt within me. And that’s really a shame. In a design program we should be inspiring the next generation of designers through challenge and encouragement, not through fear. “You have ideas? Well we’re going to show you how to make them stronger.” I thought that’s what grad school was about. Not the case, or at least that wasn’t my experience. Recently a close friend reached out after a rough thesis critique. He said he was almost driven to tears as his ideas were ripped apart and dismissed. I’d been in that position several times, and it feels horrible. We (sometimes) put so much thought, effort, and heart into our work as designers, and to have it ripped apart can be devastating. It inspires fear and self-doubt. The night before I’d been listening to a Design Matters podcast where the speaker said, “Fear is the mortal enemy of innovation and happiness.” I felt so much fear my last year at Pratt, and I know many others did, that I second guessed everything I was doing. It was so unproductive. And it’s a horrible way to inspire students to go about creating work.

I want to balance this story with one of my highest points in the last year. While abroad in Copenhagen, each program awards a student with an academic/design award. I was lucky enough to win the award for textile design as student that best embraced the process and overall did a great job. That feeling of being recognized for the first time after a year full of self-doubt was an amazing feeling. After everything I’d been though, someone finally said good job. It made all the struggles of the past year worth it in some way, and powered me to move forward. So things brings me back to Debbie Millman and her countless words of wisdom. While you’re young and just starting out, “Don’t compromise” she says. “Now is the time to try and fail. Work as hard as you can, and harder than anyone else … and if you expect less, less is all you’re going to get.”


Many of these great pearls of wisdom came from a talk Debbie did for Creative Mornings back in February 2011. You can watch the entire presentation here. In this talk, Debbie shares her list of “The Top 10 Things I Wish I Knew When I Graduated College.” I saw this talk online and wanted to write down all 10 in a list to share. So here they are! What I love about Debbie is that she’s so open to share her life experiences with others. She is honest and thoughtful, and happens to be a designer. But I ultimately find myself more interested in what Debbie has to say about life and being a designer, than what she actually designs. That’s never been important to me, though I do love her work. So my hope is that you’ll read Debbie’s list of 10 things she wished she knew so that you’ll know them today, and they’ll inspire you for the road ahead. Whatever that road may be …

1. Design talent = operational excellence. Operational excellence is what it takes to operate a business or a service well. Therefore design talent is a basic point of entry.

2. Design is not about design. Design is about a whole lot of things that ultimately result in design. You need to have an encyclopedic knowledge of everything. Everything else (but design) is what fuels design.

3. Money is not about money. Sex is not about sex. If people really want something, they’ll figure out a way to pay for it. Period. If somebody tells you they don’t want something you’re selling because they can’t afford it, it’s a nice way of saying like don’t want to hire you or like you enough to spend the money. Or you have no convinced them that the value that you will provide will be valuable enough for them to pay for it.

4. Ideas are easy. Strategy is much harder. Strategy, or coming up with a unique point of difference for a product or idea is incredibly difficult. “Strategy is choosing to perform activities differently, or to perform distinctly different activities than rivals.” – Michael Porter, Harvard Business School . You need to know why you do what you do a nd be able to communicate that easily and effectively.  You need to know your mission, believe it, and communicate it.

5. Know what you’re talking about.  Tell the truth. Admit when you don’t know something. When you do, it allows someone to share something with you.

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As I talked about in yesterday’s post, I was lucky enough to meet with Debbie Millman, head of the national AIGA Chapter, Chair of the SVA Branding Program, VP at Sterling Brands, and host of the Design Matters podcasts on DesignObserver.com — the lady has quite the resume, to say the least. I met Debbie in her office at SVA, and we spent an hour and a half discussing her career, books, my thesis, the subject of joy, and she critiqued my portfolio. Turns out we both took the Milton Glaser Summer Program, which explains our love for Milton Glaser.

Some of the meeting was a bit painful. It’s always hard to give someone your portfolio, and let them have their way with it. I’m so glad I did because I needed someone with NO connection to my work and projects to give me 100% objective feedback. Debbie flipped through my entire portfolio, then literally took the book apart, rearranged and cut out pieces, and when we were done, I had a sleek, narrowed-down, simple portfolio. While she was cutting, pasting, and rearranging, she said, “You’re going to love this when I’m done.” I didn’t love it when I was in her office, but the next morning, when I made the changes, it all made perfect sense.

Some tips:

1. Never put a piece in your portfolio just to show you can do something.
2. Don’t put work in your porfolio just to say you worked somewhere.
3. A good portfolio is your 6-7 strongest pieces.
4. Start and finish with your strongest pieces.
5. LESS IS MORE.

The last project I showed Debbie was the Visual Landmark postcards I did in type II, that I never really knew what to do with them. They’re not in a book, not on my website, they’ve just in a ziplock bag sitting around. My studio mate suggested I use them as leave-behinds on interviews, doubling as a thank you note. Debbie looked through my collection and she picked out her favorite, which I signed for her. In return, she gave me the piece at the top of this post! I now have a Debbie Millman original for my studio.

On the internship front, the interview at Jonathan Adler went a-mazing I think. I’m not going to jinx anything, but I feel really good about it. I was also able to move my schedule around to work more days. If all works out, I’ll be at JA Monday, Wednesday, and Thursdays. On Tuesday & Friday, I will be in class literally all-day. In what time I’ll complete my thesis … I have no idea. I’m just so happy things are falling into place. I didn’t think I’d be able to do it all, but if this internship works out, I just might.

Totally unrelated, but my studio mate showed me this today, CUTEST thing I’ve ever seen. I dare you to disagree.

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Above is my finished poster for my 10 Things in 2010 project. I met with one of my thesis teachers yesterday and was encouraged to keep going in this direction. Finally, someone see’s my work has meaning and thought! The next poster I want to finish will be 11 Things to do in 2011, and we’ll see at the end of the year what I ended up accomplishing. I’m hoping they’ll be some great unexpected things, as there was in 2010! Here’s hoping …

I have lots of exciting news this week, and if everything pans out, I’ll be super excited for my luck in the new year. Tonight, I have a hot date with Debbie Millman, author of Look Both Ways, the book I’m always talking about. After meeting her in November, we’re finally sitting down and talking. I’m so excited! It also makes me happy b/c my “oh so positive” thesis teacher said I’d never get a meeting with her, I proved her wrong! Take that.

Also in exciting news, I have an interview for a design internship at Jonathan Adler! But there’s the catch, as of today. The Pratt MFA schedule online isn’t correct, so I had this great plan of using my two “full” days off (which actually don’t exist) to work there. Turns out a class I thought was at night, meets during the day. Now I’m going to have to create some really messed up schedule based around having class pretty much everyday. I have no idea if they’ll be open to that, but I really hope they take a chance on me. It just makes me angry b/c this is my last shot to do this (I can’t do the summer b/c i’ll also be busy b/c of … you guessed it, PRATT!) and I refuse to do an unpaid internship after I’m done. It’s not even so much that I refuse, but financially, there’s no way I can make that work in the Fall. I think Jonathan Alder would be a great warm up for this summer when I study pattern and textile design in Copenhagen. I’ve always loved his brand, style, and products, and I feel this could be a good fit. I’m just praying school doesn’t come in the way … yet again. Will keep you posted.

I seem to be on solid ground (finally) for thesis, might have a new internship, and meeting one of design crushes tonight … 2011 is off to a good start indeed.

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Friday I was lucky enough to attend the 1st Brand New Conference: “a one-day event on the development of corporate and branding identity projects by some of today’s most active and influential practitioners from around the world. Hosted by Underconsideration a network of blogs, design duo, and organizers of events based in Austin, TX.” Blah blah, it was an awesome event with truly some of the most famous designers and firms around today. Some of the highlights included the Michael Bierut and Paula Scher (from Pentagram) Q&A session, Christian Helms’ presentation (he lived in NC, really funny guy), the Wolff Olins Q&A, and Erik Spiekermann’s closing presentation. I really loved how each presenter was so different from one another. You had Michael Lejeune, designer of LA’s Metro Transportation System (so all transportation design, buses, subways, etc), then Connie Birdsall from Lippincott, who brands massive airlines and corporate giants like Wal-Mart, to Christian Helms, that specializes in start-up businesses and indy bands in Texas.

I took notes on all the presenters, and there were so many quote-able moments. I’m thinking about using some of these design nuggets for a project. So pretty excited about that. If you want to see some of these moments, go to twitter, and search the hash-tag (#bnconf), or check this link.  After the Conference, a few of my fellow Pratt MFA’ers headed to the after-party, where we got to speak with Erik Spikermann and my favorite, Debbie Millman. She presented one of the talks at the Conference, I later introduced myself, and she actually knew who I was. I’ve talked about her many times on my blog, so my love/obsession with her is clearly visible. She saw my tweets about her, and later joked about our twitter love affair, it was really funny. At the after party, she even signed my copy of her book Look Both Ways. What an awesome day right?? Skyer got in contact with a few of the other designers too, and she has a great idea of us all interviewing our contacts, and turning these interviews into a book, so that is really exciting. Hopefully we can make that happen. Events like these are a great way to return my focus to branding and design, which I’ve been missing the last few months, sort of filled a void you might say.

Here’s my note from Debbie! I’m hoping to setup an interview with her soon so we can discuss her AMAZING book that I love, her work at SVA, and maybe she can give me some insights into the future and working in NYC. Couldn’t be more excited!

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Above is a photo from one of Debbie Millman’s illustrated essays, one that didn’t make the book “Look Both Ways.” In thinking about one of my next projects at Pratt, I’m hoping to take a page (get it) from Debbie’s book, and figure out why these essays are so personal, and so interesting (to me at least). I’m planning to do my “folio,” aka large format book, about my week-long Milton Glaser Summer Class from last year. That class ended up being one of the best weeks of my life as I look back. I met amazing people, met amazing artists, and felt I grew as a person and designer, as corny as that sounds. Each day I tired to write down everything Milton said. He is so wise, and has so much experience, I felt honored to be able to spend so much time with him. He’s also 80 years, and I hate to say it, but how many people work when they’re 80, and do stuff like this? I imagine there are only a few more years of that course left, and I’m so happy I got to be one of the lucky ones. So all of those little things I plan to wrap together and stick in this folio.

I’m always plugging Debbie’s Book, but I really loved it, even if you’re not a designer, it’s great.

Check out more of this essay below, and you can read the full essay in order here.

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I read Debbie Millman’s “Look Both Ways: Illustrated Essays on the Intersection of Life and Design” earlier this semester, and totally LOVED it. The book is about “the intersection of Life and Design,” and traces the influence that life experiences had on her work, and vice-versa. So much time is spent in design school talking about HOW to design, use this typeface, use these colors, use this grid, but what about how LIFE influences design? Or how to design your life? You can have the most expensive typefaces, make beautiful compositions, but without developing as a designer, or artist, or person, your work will lack purpose and meaning. You could become an accomplished designer/professional but lack substance as an artist or person. What I loved so much about this book was how personal it is, and how open Debbie is expressing her fears, failures, and triumphs. Ultimately these personal things possess much more meaning, and are much more genuine than some logo we design for a client. The basics of design school are very important, one has to know the skills to be successful, but I’m equally interested in developing as a designer, an artist, and a person. I want to try and use this statement while developing my framework for thesis. I want to explore and map how I’ve come to where I am today, my influences, and ultimately, where I want to go …

Below are some spreads from “Look Both Ways,” I love how each essay was illustrated typographically. I just love the concept of the book, the message, everything, it’s great.

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