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Archive for the ‘Advertising’ Category

 

Today while browsing Behance portfolios, I found a cool campaign from P&G’s Dreft + fashion illustrator Anna Halarewicz. I love the tagline paired with fashion illustration and use of watercolor. What a simple-yet-effective idea right? While looking for other examples of her work, it’s clear to see watercolor is Anna’s medium of choice and she pairs it masterfully with her illustrative style. There’s just something about fashion illustration that always catches my eye!

I found a few more examples of Anna Halarewicz’s illustration which I’ll share below.

And finally, the artist herself!

I haven’t been able to find an official website for her, but if you look on pinterest or tumblr, lot’s of her stuff pops up.

Enjoy!

 

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I’ve been meaning to share this ad campaign since they first started popping up in NYC months ago. Perhaps by now you’ve seen them in a town near you. Above is an image from Aldo‘s Spring/Summer 2012 ad campaign featuring some of the best and most-playful applications of color I’ve seen in quite a while. Each image is a welcome relief from the dullness of winter for sure. Shot by Terry Richardson, featuring Anais Pouliot and Mat Gordon – these ads are great examples of color done right, but not taken too far. This is also one of the first times I’ve seen Terry Richardson do something with COLOR and not on a white background, but I’m all for it.

  Terry Richardson & Lady Gaga, follow Terry on tumblr here.

Typical Terry + Obama!

New Harper’s Bazaar redesign featuring the cover shot by Terry Richardson.

Banana anyone?

Don’t these look great as billboards with the huge Aldo logo?
There’s a huge billboard in Soho, NYC of the first image in this post that always makes me smile when I pass by.

These series reminds me a lot of Gap’s “Be Bright” Spring/Summer 2012 campaign photographed by Chris Craymer, which I’m also in love with.

This is the first time I’ve paid attention to Gap ads in years, I miss the Golden Age of Gap with those great commercials.

Be you.

And kudos to Gap for supporting gay equality with this billboard featuring two men sharing a shirt. Love it.

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How to Communicate with Aliens, Fall 2010, Pratt MFA

Now that I’ve returned from Denmark and the colorful world of textile design, it’s time to return to graphic design and branding. And that’s exciting (to me). I’m so thankful I got to do something new and challenging the last two months. I feel inspired and rejuvenated to finish my thesis and start the next chapter of my life … working in NYC.  Before I left Denmark I spent hours applying to countless design jobs for anything I felt I was remotely qualified for. And to my delight, on Monday I received the good news I’d been waiting for … someone wanted to hire me! I’ll reveal full details when it becomes 100% official. I went on a few other interviews because it’s great practice talking about one’s work and I wanted to explore all my options. One interview I was very excited (and nervous) for was a designer position at a huge branding firm, one I’d admired since I moved to NYC. Very intimidating, but also an exciting opportunity.

During the interview, I talked about my work experience, favorite projects, my interests in design, etc and then was asked, What is your favorite brand? I was stumped. It’s a simple enough question right? I ended up talking about how interesting the entire Gap logo fiasco is compared to the success Starbucks redesign. Which I do truly think is interesting. Both Starbucks and Gap are iconic global brands. But one did it so wrong while the other flourished. People said during the Gap logo scandal that some logos are so well established and iconic, they should be left alone. I argue Starbucks built just as much brand identity as Gap, perhaps more, and they were embraced. Why is this? And more importantly why do we care?

This brings me back to a project from one of my Pratt MFA studios. For the project we had to communicate humanity or “humanness” to aliens. I proposed sending aliens an alphabet comprised of logos establishing a shared language and making a commentary on American values. A modern day Rosetta Stone, sponsored by Adobe, Budweiser, Coke, etc .. While this idea isn’t new, lots of these logo alphabets exist, it’s so interesting to think about these logos as living things, as brands, that communicate. In this project the alphabet symbolizes way more than letterforms and logos, they are cultural symbols of our society at a specific period in history. While listening to Design Matters one night, I heard this quote by Phillip Meggs:

It’s so interesting how in the last 10 years brands have really become alive. They’re living things. While brand loyalty has existed since the creation of brands themselves, brands they were not always living things. I believe the shift happened with the creation of social media. We all have these digital lives, alter egos, and so do these brands. They have personalities that must communicate as effectively on the iPad as they do in the store. I think that’s so fascinating because as a designer working in brand strategy, you’re creating emotional relationships that must be nurtured. So things brings me back to the original question, what is my favorite brand?? While researching brands, I came across report from Interbrand about America’s most valuable brands:

Read and download the full report here.

In thinking of which brands are my favorite, or that I find the most interesting, I decided to come up with a list. Initially when I think about brands, I only think about retail brands. This is due to the lifestyle fashion and retail try to sell consumers. I didn’t even consider food brands in the grocery store, which are just as powerful as these retail giants, and probably even more so since we interact with them so frequently. According to Stores.org, “Americans have an ongoing love affair with brands. Threaten to take away their Dawn dishwashing detergent or their Kleenex and you’d better be ready for a knock-down, drag-out fight: Those items, along with Bounty paper towels and Crest toothpaste, are among the products shoppers choose most often when they roll their carts up and down the supermarket aisles.” I’m completely guilty of this. For example, I only drink coke products, I’m totally addicted to Aquafresh toothpaste, and I generally don’t trust store brands. Some of these brands are my favorite because I use their products religiously, like Coke or Apple. Other brands I admire the lifestyle they symbolize (Kate Spade, J.Crew). With these brands I want to live in the beautiful glossy world they create. I’m totally under their spell.

Here are some of my favorite brands, in no particular order …
UNI QLO // Fashion Retail // Japan // link
Coca-Cola // Food & Beverage // Global // link
Obama  // Political // US // link
Apple // Computers & Tech // Global // link
Kate Spade // Retail // US // link
J. Crew // Retail // US // link
J. Crew Behind The Line – follow their blog here.
So what’s your favorite brand and why ?!?!

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I’m coming out of the closet and confessing my love for a girl, the one and only, Kate Spade. My love affair with Kate is truly so secret to anyone that knows me. Now I going to pronounce my love for the world to see. Since I’m returning to the US in less than 7 days, I thought I’d do another 7 Designers series, and while Kate Spade isn’t an example of Scandinavian design, some comparisons can easily be made. What makes Kate Spade stand out to me is their playful use of color. Every time I pass their store in Soho or see one of their ads, I always think about how beautiful their world looks. Color is also incredibly important in textile design, perhaps the most important element. Our teachers have told us colors are what sells patterns and textiles, not necessarily the design. This is also true in graphic design – color adds so much to design and is so loaded with content and meaning. I’m also in love with the photography and type that’s used in the Kate Spade ads from the last several years. They’re really stepping up their design game. I’d love to find out who is the creative mastermind behind their current look. Let’s look at some examples ..

Now my favorite ads Kate Spade has done is their 2009 Holiday campaign. I remember seeing these in Manhattan during my first Christmas in the city. I saw the ads below wheatpasted to a wall in Soho and tried to take the best pictures I could with my iphone. Here’s what I got.

Notice the use of my favorite typeface Bodoni!

Love the picture, love the colors, and especially love how they’re playing with type. So beautiful I think.

Here’s another one I found online – I wish I had copies of the whole “20 ways to merry-make” campaign.

So want to know more about how color inspires the Kate Spade team? I recently noticed Kate Spade set up a blog, The Weekly Spade: a blog about color. Lots of great color inspiration there. They also have a Behind the Curtain blog showing sneak peaks into their campaigns, special projects, and things they love. So much beautiful inspiration. Enjoy and fall in love!

Green from the Weekly Spade.

And Blue for July!

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I’m totally in love with this ad campaign, for NY Fashion Week. Maybelline took over the entire 8th Ave L  Station. The whole ad campaign can be seen there. I wish I had better images of these — wouldn’t these look awesome as prints? Check them out soon before they change! I must say, even thought I didn’t get to any shows, it’s still fun to be living in the city during weeks likes these, lots to see and do.

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Below are photos from NY Times’ interactive story Fashionable, in 1964.

Loved these pictures, thought I’d share.

(more…)

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I remember seeing these ads in magazines years ago, 2008 I think it was. While interning at DVF, I’ve seen more of the art in the office, and these pictures are stunning. I love how the artist mixes photography, painting, and typography. I got to see almost all of them yesterday since I had to mount all the campaigns on cardstock. Oh the joys of interning. At least I have pretty things to look at :)

check out www.dvf.com

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from blog: http://adsoftheworld.com

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